He completed the Professional Degree in Piano at the Municipal Conservatory of Music in Barcelona under the guidance of Maria Rosa Ribas and Jordi Vilaprinyó, and upon graduating, he received the Honors Mention for his trajectory.

He then entered the ESMuC (Higher School of Music of Catalonia), where he obtained the Superior Degree in Piano under the tutelage of Jean-François Dichamp. Subsequently, he began studying orchestral conducting at the Conservatory of the City of Vienna (MUK) with Professor Andreas Stoehr, with whom he continues to receive teachings to this day.

His interest in vocal repertoire led him to study with Alan Branch and Francisco Poyato, and to receive classes from Matthias Goerne, Fiorenza Cedolins, Ermonela Jaho, Josep Surinyac, Malcolm Martineau, Simon Lepper, Wolfram Rieger, and Julius Drake.

As a pianist, he has performed within the programming of festivals such as Life Victoria (Tast de Lied, Life New Artists, and Life Piano), the Schubertíada Vilabertran (II Academy of the Schubertíada), the Royaumont Festival, and the Torroella de Montgrí Festival (Fringe), and he has performed in venues such as the Gran Teatre del Liceu, Cercle del Liceu, Foyer del Gran Teatre del Liceu, Auditori Eduard Toldrà, Sala Alícia de Larrocha at the Auditori de Barcelona, Abbaye de Royaumont in Paris, and Schlosstheater Schönbrunn in Vienna, among others, collaborating with singers such as Adriana González, Marina Viotti, Mercedes Gancedo, Pau Armengol, Ulrike Haller, Violeta Alarcón, Lluís Calvet, and Jan Antem.

In recent years, he has begun to work with different instrumental and choral ensembles, highlighting his role as an assistant to Miguel Ángel Arqued for the Cor Intermezzo and to Xavier Sans for the Cor Fòrum Vocal.

Currently, he combines his professional commitments as a pianist, harpsichordist, and assistant with teaching at the Superior Conservatory of Music of the Liceu and with conducting the Coral Mixta d'Igualada.

He holds a degree in Performance from the Theater Institute of Barcelona and is a theater director and playwright, as well as an actor, dubbing director, and screenwriter for radio and television.

He made his directorial debut in 1982 with "Zoo Story" by Edward Albee, translated by Terenci Moix. That same year, he won the Adrià Gual award for best direction project for "La desaparició de Wendy" by Josep M. Benet i Jornet, starring Martí Galindo and Loles León, which was a great success both with the public and critics in Madrid and Barcelona.

Incapable of devising any mercenary strategies to advance his career, he only directs when he feels intimately involved in the works that impassion him.

"Amor a mitges" by Allan Aikbourn, "El supervivent" by Manuel Vázquez Montalbán, "La veu humana" by Jean Cocteau, "Carpa Barcelona" (directed by Mario Gas for the Cultural Olympiad), "Tirant lo Blanc," and "1789, La Revolució" for Catalunya Ràdio are some of his most personal productions.

In 2005, thanks to the unforgettable friendship of J. Arias Velasco, he founded Octubre Teatral, perhaps the most brilliant stage of his controversial theater career.

"Con Belisa" by Federico G. Lorca, dedicated to Hermann Bonnin (beloved mentor), earned him a nomination for Best Visiting Director by the Association of Entertainment Critics of New York (ACE). After a successful national tour and a brilliant season at the Teatro Español, the play embarked on an extensive international tour, receiving extraordinary acclaim in theaters in the United States and Mexico, where it inaugurated the Cervantino Festival. "El llanto," another Lorca play performed in iconic theaters such as The Carnival in Miami, La Barraca in Lisbon, the Teatre Poliorama in Barcelona, and the Teatro Español in Madrid, had a brilliant season and was unanimously acclaimed by the public and international critics. It was a finalist for the Max Awards (2009 and 2010).

"La Vampira del Raval" by Josep Arias Velasco, with music by Albert Guinovart, is one of the most beloved shows by the Barcelona audience and received five Butaca Awards and a Max Award for Best Musical Composition. "Romance de Curro el Palmo," based on the song by Serrat, depicting the immigrant population of Barcelona, is his most unusual production. It premiered at the Grec Festival in Barcelona with Nacho Blanco, Quiqui Morente, and Antonio Canales, and is considered by experts as one of the best flamenco musicals of all time. For now, it marks the end of the Octubre Teatral journey.

Born in 1973 in Cervera (Lleida), he began his musical studies with piano and violin at the Municipal Conservatory of his city and later expanded them at the Professional Conservatory of Badalona, where he obtained the higher title of teacher of harmony, counterpoint, composition and instrumentation, under the guidance of MA Hurtado, M. Roger, B. Casablancas and J. Soler. At the same time, he began choral conducting at the Lleida International Choral Conducting Courses, where he studied with teachers Josep Prats, Johan Duijck, Laszlo Heltay and Jordi Casas (1990-1994). He continued this training at the European Management Courses, taught by Professor Pierre Cao in Catalonia (1996-1998), and at the Academie International de Pontarlier (France) (1997-1998). He was introduced to orchestral conducting with maestro Salvador Mas at the Barcelona Conservatory and in 1999 he was admitted to the Universität für Musik und Darstelende Kunst in Vienna, where he studied orchestral conducting under the tutelage of Leopold Hager. In March 2002 he won the position of assistant conductor of the Joven Orquesta Nacional de España (JONDE) in a competition and in July 2003 he won the position of assistant conductor of the Barcelona and National Symphony Orchestra of Catalonia (OBC), with which has conducted different concerts with works by Mozart, Tchaikovsky and Britten. Since 2018 he has been the principal conductor of the Vallès Symphony Orchestra and principal conductor of the Palau de la Música Catalana Chamber Choir. He also conducts the Girona Orchestra and the Chamber Choir of the Enric Granados Auditorium in Lleida. He has directed for twenty-five years the Ginesta Choir of Cervera, and the Murtra Ensemble, dedicated to the music of the 20th century. In the opera field, he founded the chamber opera company l'Opera de Tres Rals, dedicated to small-format opera, and currently directs several titles of the Ópera al Palau cycle. He has been guest conductor for numerous orchestras in the country and maintains a close relationship with Orquestra Terrassa 48, with which he will begin the comprehensive interpretation of Beethoven's symphonies. He is a professor of orchestra and conducting at the Escola Superior de Música de Catalunya (ESMUC). He has been guest conductor in numerous youth orchestras and currently directs the Conducting Course of the Terrassa Orchestra.

Founded in its current form and philosophy in 2000, the ensemble has given great impetus and diffusion to music for string orchestra with programs that combine extensive research and proximity.

The OCT48 is led from the violin by Quim Térmens, a musician from Sabadell who received his initial violin training from Ofèlia Rodrigo and later studied with the violinist and maestro Gonçal Comellas, with whom he developed musically and completed his higher studies. He has also received masterclasses from violinists Arkadi Futer and Michel Barta. He has been awarded, among others, the First Prize of the Arts (20th-century music category, Xavier Montsalvatge Award) granted by the Government of Catalonia. Throughout his career, he has promoted the dissemination and knowledge of works written for strings, becoming a reference in this field.

He has been a member of the Chamber Orchestra of the Palau de la Música Catalana and the Chamber Orchestra Gonçal Comellas. Currently, he carries out his chamber music work in the Arcattia project, with concerts throughout the country and in Costa Rica, and he has been awarded, among others, the Xavier Montsalvatge Award. He is the author of several children's shows such as "Popoff, an Absent-Minded Composer," "Hartmann's Pictures," "Stories from Timbuktu," "Handel's Button," and "Telemann and the Story of Don Quixote." He has also composed several pieces for student string orchestras.

In the pedagogical field, he has trained with personalities such as Sheila Nelson, Vaartan Manoogian, and Mimi Zweig, and he is the author of several children's shows. He carries out his teaching work at the Conservatory of Music in Vic as a violin teacher and conductor of its string orchestras. He has been invited to give lectures on pedagogy, serve as a jury member in instrumental and chamber music competitions, direct youth orchestra meetings, and serve as a violin teacher at the International Music Course Principat d'Andorra. He is currently the artistic director of the BBVA Religious Music Festival in Vic.

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